Books of the Month: Stone Walls–Stories Set in Stone

It’s March, that most indecisive of months. And so, I decided to follow in the same pattern by choosing not one,

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or two,

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or even three,

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but four–

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all books about stone walls which are once again revealing their idiosyncrasies. These are the Books of March.

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Walk along our woodland trail with me and you’ll know that something different happened there ages and ages ago. To reach the trail, we’ll need to pass through two stone walls. Continuing on, we’ll come to a cow path where several pasture pines, massive trees that once stood alone in the sun and spread out rather than growing straight up, must have provided shade for the animals.

e-pine whorls

They are the grandparents of all the pines that now fill this part of the forest.

Further out, one single wall widens into a double wall, indicating a different use of the land.

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The walls stand stalwart, though some sections are more ragged than others. Fallen trees, roots, frost, weather, critters and probably humans have added to their demise, yet they are still beautiful, with mosses and lichens offering striking contrasts to the granite. Specks of shiny mica, feldspar and quartz add to the display. And in winter, snowy outlines soften their appearance.

The fact that they are still here is a sign of their endurance . . . and their perseverance. And the perseverance of those who built them. and yet . . . . the stone walls aren’t what they once were, but that doesn’t matter to those of us who admire them.

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For me, these icons of the past conjure up images of colonial settlers trying to carve out a slice of land, build a house and maybe a barn, clean an acre or two for the garden and livestock and build walls. The reality is that in the early 1700s, when western Maine was being settled, stones were not a major issue. The land was forested and they used the plentiful timber to build. It wasn’t until a generation or two later, when so much timber had been harvested to create fields for tillage and pasture, that the landscape changed drastically, exposing the ground to the freezing forces of nature. Plowing also helped bring stones to the surface. The later generation of farmers soon had their number one crop to deal with–stone potatoes as they called them. These needed to be removed or they’d bend and break the blade of the oxen-drawn plowing rake.

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Stone removal became a family affair for many. Like a spelling or quilting bee, sometimes stone bees were held to remove the stones from the ground. Working radially, piles were made as an area was cleared. Stone boats pulled by oxen transported the  piles of stones to their final resting place where they were woven into a wall.

Eventually single walls, also called farmer or pasture walls, were built as boundaries, but mainly to keep animals from destroying crops. The advent of stone walls and fences occurred within a few years of homesteads being settled, but during the sheep frenzy of the early 1800s many more were built. Those walls were supposed to be 4.5 feet high and fence viewers were appointed by each town to make sure that farmers tended their walls.

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Double walls were lower and usually indicated an area that was to be tilled. A typical double wall was about 4-10 feet wide and consisted of at least two single walls with smaller rubble thrown between.

Drive our back roads and you’ll see many primitive walls created when stone was moved from the roadway and tossed into a pile, or wander through the woods and discover stone walls and fountains in unexpected places. The sheep craze ended about 1840 after the sheep had depleted the pastures and younger farmers heeded the call to “Go west young man, go west.” The Erie Canal, mill jobs, and better farming beyond New England all added to the abandonment of local farms.

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Today we’re left with these monuments of the past that represent years of hard labor. Building a wall was a chore. Those who rebuild walls now find it to be a craft.

Sam Black, who lives in Bridgton, Maine and spent twelve years rebuilding the walls on his property, once told me, “It was meditation time, like working in the garden. It’s one of those things you do philosophically and it lets you operate at a deeper level. You have time to think and contemplate as you work on the jigsaw puzzle.”

Frank Eastman of Chatham, New Hampshire, is the caretaker for the Stone House property in Evans Notch, and said when I asked if he’d ever worked on single walls, “No, I ain’t that good at balancing things. You got to have a pretty good ability to make things balance and a lot of the times your rock will titter until you put a small rock in just to hold it. No, I don’t want to monkey around with a single wall.”

Karl Gifford of Baldwin, Maine, told me, “I’m either looking for the perfect stone or trying to create the perfect space for the stone I’m working with. It takes a lot of practice, seeing what I need and being able to pick it out of the pile.” The entire time we chatted, his hands moved imaginary stones.

The more walls I encounter in the woods, the more respect I have for those who moved the stones and those who built the fences that became the foundation of life. Walk in the woods and you’ll inevitably find evidence that someone has been there before you–maybe not in a great many years, but certainly they’ve been there. Their story is set in stone.

If you care to learn more about stone walls, I highly encourage you to locate these books. I found all of them at my local independent book store: Bridgton Books.

Books of March:

Sermons in Stone by Susan Alport, published 1990, W.W. Norton & Company, Inc.
A history of stone walls in New England.

Stone by Stone by Robert M. Thorson, 2002, Walker & Company.
A geological look at stone walls

Exploring Stone Walls by Robert M. Thorson, 2005, Walker & Company.
A field guide to determining a walls history, age, and purpose.

The Granite Kiss by Kevin Gardner, 2001, The Countryman Press.
A look at repairing walls of stone.

And now I leave you with this poem:

The Old Stone Fence of Maine

Shall I pay a tribute here at home,
To the Old Stone Fence of Maine?
It was here when you were born,
And here it will remain.
Stone monuments, to grand old sires,
Who, with a good right arm,
Solved problems little known to you,
E’re their “clearing,” was your farm.

When you see an Old Stone Fence,
Weed grown and black with age,
Let your mind’s eye travel backward
And read its written page.
And, as Moses left us words in stone,
That live with us today,
Almost, with reverence, let us read
What these Stone Fences say.

They tell of those who “blazed the trail,”
We are walking in today;
Those who truly “bore the burdens
In the heat of the day.”
For every stone was laid by hand,
First taken from the soil
Where giant trees were cut and felled,
Bare handed–honest toil.

The Stone Fence marked the boundary line
Whereby a home was known;
Gave them dignity, as masters
Of that spot they called their own.
The Stone Fence, guarded church and school
And the spots more sacred far,
The silent spots, in memory kept
For those who’ve “crossed the bar.”

Then, treasure this inheritance,
Handed down from sire to son,
Not for its worth, to you, today,
But for when, and why, begun.
For with it comes a heritage
Of manly brawn and brain,
That is yours today, from the builders
Of the Old Stone Fence of Maine.

~Isabel McArthur, 1920

7 thoughts on “Books of the Month: Stone Walls–Stories Set in Stone

  1. What a lot of sweat and blood, human and animal, those walls represent. And what a comparatively short time most of them served their purpose. I really like the photo of the old wolf pine in the snow. Trees can be hard to photograph effectively, but you caught the spirit of that one.

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  2. Hi Larry,

    Thanks for your comments. Ben Hall also sent me some reflections of his experiences with stone walls. This was my response: I’ve spent some time learning from others and probably should have mentioned them, but the blog was so long and I knew I wanted to include the poem.

    Sam Black, who lives here in Bridgton and spent twelve years rebuilding the walls on his property, once told me, “It was meditation time, like working in the garden. It’s one of those things you do philosophically and it lets you operate at a deeper level. You have time to think and contemplate as you work on the jigsaw puzzle.”

    Frank Eastman, who lives in Chatham, New Hampshire, and is the caretaker for the Stone House property in Evans Notch, said when I asked if he’d ever worked on single walls, “No, I ain’t that good at balancing things. You got to have a pretty good ability to make things balance and a lot of the times your rock will titter until you put a small rock in just to hold it. No, I don’t want to monkey around with a single wall.”

    Karl Gifford of Baldwin told me, “I’m either looking for the perfect stone or trying to create the perfect space for the stone I’m working with. It takes a lot of practice, seeing what I need and being able to pick it out of the pile.” The entire time we chatted, his hands moved imaginary stones.

    Maybe I’ll edit the blog to include these comments after all.

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  3. Great comments. I love the sense of intimacy with the stones and the “wall”. I can’t imagine that the original subsistence farmers could take as relaxed approach to wall building. For them moving those stones to clear crop land and building those walls to contain livestock was intimately linked to trying to eke enough out of marginal farmland to feed their family and livestock through the winter.

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  4. At about the same time that Thorson moved to Connecticut in the early 1990’s, I began to doubt the traditional stories about the origins of New England stone walls that are so often repeated in many forms of media. It was probably William Cronon’s Changes in the Land that steered me toward the idea of stone walls as fuel breaks for fires as part of an Indigenous landscape management scheme. I can’t offer a book just yet, but I do have an essay or two at my blog that critiques those ideas that the Indigenous Peoples/Native Americans in the North East seldom built with stone. The blog is searchable, and you can type in “Thorson” or “Allport” to find some of those, but I guess a good place to start is with this one: http://wakinguponturtleisland.blogspot.com/2011/02/stone-wall-mythology-legends-and.html

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    1. Thanks Tim. I had a feeling you’d weigh in. I’ll look for Cronon’s book. I do often see turtles in the walls as you’ve suggested previously. But based on what we saw this past weekend, with remnants of structures connected to “penned in” areas, I have to believe that some are colonial. Time and time again I’ve seen places where animals were probably corralled and single walls gave way to double. Perhaps it’s best to embrace both?

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  5. I should also mention that at the Federal level, Indigenous Ceremonial Stone Landscapes are finally being recognized, even in New England. A google search for “Ceremonial Stone Landscapes of New England” even reveals a few training video’s at the Nation Park Service website. One of those videos adresses looking for submerged Ceremonial Stone Landscapes on the continental shelf…

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