Consumed by Cicadas

I walked into a cemetery, that place of last rites and rest, looking for life. It should have been a short visit, for finding life in such a location hardly seems possible, but . . . for two hours yesterday I stalked the the gravestones and today I returned to the same spot where I once again roamed, and then continued up the road to another that surprised me even more.

It seemed the Hutchins family was watching over the first little specks of my attention, keeping them safe at a most tender moment in their life cycle.

Upon the granite wall that surrounded the Hutchins plot, two small, but actually rather large in the insect world, nymphs crawled and paused, crawled and paused. And my heart sang as it does when I realize I’m in the right place at the right time.

Who are these land lobsters, for such do their claws remind me. Dog-Day Cicadas. They complete their life cycle in 1 – 3 years. As nymphs or larvae, they remain underground feeding on plant juices from tree roots. In July, the nymphs tunnel up through the ground and crawl onto tree trunks or other surfaces like gravestones, which they latch onto with those over-sized claws.

Tickled to see two who looked like they were about to burst into new life, I watched with intensity, noticing that this, the second one, had green wings forming. And really, its head was already emerging, for if you look closely, you’ll note a small set of brown eyes closer to its claws and the new eyes much larger and darker in color protruding.

Winged cicadas emerge from a slit along the back of the nymph’s exoskeleton.

Back to the first, you’ll notice the same is true. And do you see where the second cicada had that hint of green, this one is more rosy red in color.

I could say that within minutes I noticed more of the body bulging, giving the nymph a hunchback look, but this is a transformation that takes time. Lots. Of. Time. They begin the process by arching and expanding the thorax until the larval cuticle fractures and the adult’s thorax appears, soon, or sorta soon, followed by its head.

Ever so slowly . . .

the rest of the body . . .

comes to life.

Both red and green complete this process simultaneously as I squat and watch.

Eventually, legs and wings are visible. Do you see the proboscis, that elongated sucking mouthpart or stylet that is tubular and flexible, extending from its nose?

How about now?

As the abdomen extends, four wings take shape.

In continued slow motion, they begin to unfurl . . .

and the insect wiggles its legs . . .

ready to get a grip.

Next, it pumps insect blood into its body and wings, which takes even longer, as in hours. After the cuticle hardens for a while and muscles grow stronger, the cicada pulls itself out of its former self.

Before it can fly, those wings need to dry, some resembling a rainbow.

Teneral to start, a breeze creates an angelic quality befitting the setting.

In time, the wings will fold over the cicada’s back, but until that happens, the rose-version offers a lesson that not all Dog-Day Cicadas look like camouflaged leaves among which they sing–the tree-top males producing the droning whirr of a song we all associate with summer by using their tymbals or paired membranous structururs in their abdomens that vibrate through muscular action–it’s this song that attracts females.

Today, I visited yesterday’s cemetery and found not much action, but a few miles north it seemed the summer chorus was preparing to take in new members.


First, however, they had to finish donning their choir robes.

And as I’d noticed for the first time yesterday, not all robes are the same color. Variation apparently is normal among cicadas, which provide me a wonder-filled lesson.

My question is this: what determines color? It can’t be temperature as from the many I saw today and few yesterday, all emerged at about the same time. And it can’t be location, for they were all in the same locale.

In fact, some even morphed upon the same family plot corner stone, this being the Evans family in Center Lovell, and their transformation occurred within minutes of each other.

Then there was another question–if they were so close to each other in emergence, would they get along? I watched these two for a long time, and though they got quite close occasionally, they seemed rather territorial, using. a foot or tarsus to push the other away. That, of course, is my human interpretation of what I was observing. The reality may be different.

A few headstones away, another for the red variety.

There are other lessons, such as this–like dragonflies, some nymphs transform atop the discarded exuviae of their relatives.

And while I expect that they only climb a few feet off the ground to morph, I’m proven wrong when I have to use my warbler neck to spy at least two on branches high above. Do you see them? Are there others that I missed?

I have so many more questions, but pull myself away once again.

I do often wonder if my presence bothers then, but have to hope that they realize I’m there to protect them from predators and learn from them during this time of transition.

Note that the proboscis is tucked under their bodies, as it won’t be needed until these cicadas reach the tree tops. Once up there, where I won’t be able to spy them, males will produce the droning whirr of a song we all associate with summer by using their tymbals or paired membranous structures in  their abdomens that vibrate through muscular action–it’s this song that attracts females. After mating, the female lays her eggs in slits she makes in twigs. The young nymphs hatch, fall to the ground, burrow underground and feed on sap from roots for a year or two or three. 

And then the day I wait for happens and I once again roam places where I know I can find them, cemeteries being my place of choice, and I spend hours stalking one stone and then another and back to first and then the second, over and over again, consumed as I am by cicadas.

Resurrection

I warned you that last week’s Cemetery Cicada Celebration would be revised. And so it was. Over and over again as is my custom.

But the thing is that last week I took part in a poetry workshop offered through Greater Lovell Land Trust by Poet Judith Steinbergh. The title of the workshop was “Caring for Our Earth and Waters.” Judy shared various poems with us through a remote gathering and asked us to read them aloud while thinking “about what we might visualize from the images, and how the sounds and form blend together with the image and feeling.”

She encouraged us to make notes and suggested some different approaches: speak to the subject; become the subject; instruct the reader; show feelings toward the subject. She even gave us some beginnings and endings that might inspire us to begin.

And then she concluded with “Poetry Revision Guidelines,” which included such practices as reading the poem aloud several times, questioning whether or not the opening was strong enough, maintaining focus, creating images the reader could visualize, using tight language, finding a rhythm, helping the reader gain insight, and providing appropriate breaks.

We had one week to write a poem, submit it to Judy for comments, and then the big night would come: The Reading.

Just as it’s scary to publish in this blog manner or via Lake Living magazine and other avenues I’ve used over the years, it’s equally terrifying to read aloud–especially when you can see yourself on the computer screen.

But that’s what some of us did the other night for the remote Poetry Reading and you can watch and listen in: GLLT Poetry Reading 2020

My original subject was a pine tree, but after watching the magical emergence of cicadas last week, I knew I had to write about that experience. Figuring out the angle was much more difficult and I tried a variety of avenues. In the end, I chose a style that works best for me, teaching through imagery.

It’s not a done deal, mind you, for it is my belief that there is no such thing as a final draft. OK, so that’s my default in case you don’t think this works or have suggestions to improve my attempt. All comments are welcome. It’s only a draft and I haven’t written 18 drafts yet as I often do with an article. I’m at 7 or 8.

Resurrection
By Leigh Macmillen Hayes, 7/19/2020

To walk into a cemetery on a summer day
And find an insect metamorphosing upon a stone
I begin to understand the process of resurrection.

A life well spent questing sap for sustenance
Prepares to crawl free of its past
And reach for heavenly aspirations.

Through a tiny slit, a spirit no longer contained
Emerges head first as a teneral shape develops
with bulging eyes to view a new world.

Gradually, a pale tourmaline-colored body extends outward
With stained-glass wings unfurling
That provide baby steps toward freedom beyond.

I mourn the loss of your former soul
But give thanks for a peek at your upcoming ascension
From this place to the next.

It is not for me to know when you will first use the gift of flight
As I didn’t know when you would shed your old skin,
And I quickly offer a final goodbye when I see your wings spread.

I rejoice that I’ll spend the rest of the summer
Listening to your raspy love songs
Playing nature’s lullabies upon violin strings from above.

On this day, I celebrate the secrets of a cicada’s life,
Dying to the old ways and rising to new,
While I wander among the graves of others who have done the same.

To all who joined the Poetry Workshop or the Poetry Reading or wished they could, and especially to Judy Steinbergh, I dedicate this post. Thank you for sharing.

Celebrating Cemetery Cicadas

Beings who once walked the Earth
support new life as summer's serenade
begins to take shape 
upon stones that memorialize the past. 
Hunchbacked in nymphal form,
light brown crawlers move skyward
then cling by toes at tips of stout legs,
and new life emerges as their backs split open.
Bodies colored like watermelon tourmaline
showcase segmented abdomens and three pairs of legs.
While translucent wings slowly unfurl,
First steps are taken into freedom beyond. 
Leaving behind sheds of its underground life,
wings grow longer minute by minute.
Exquisite beauty at this teneral stage
forces awe to reach a crescendo.
Venation demarks cloudy glass windows
gilded in emerald and bronze.
I stare in awe, and then gaze about,
for others have also crawled up from the ground. 
Young Elden's grave stone provides the next sighting
of a discarded exuvia with an adult form above.
For several hours this insect paused
as blood pumped and its body transformed.
Contrasted against the pastel colors it once donned,
vivid camouflage will serve it well in tree tops.
Golden veins upon the elder's wings
fill my soul with admiration.
I'm forced to stand guard and dote 
for at last the ascension begins.
I suddenly realize all who enter here
must rise toward the heavens or at least the tree tops.
One muscular foot in front, five others follow,
all part of instinct beyond my understanding.
No other is there to offer guidance or to mimic,
it's all pure instilled knowledge from beginning to end.
With the summit now a certainty, 
I take time to quickly note intricate patterns.
Upon the upper thorax I see
the face of an owl bedecked in bow tie.
It is not for me to know when tented wings
will spread into flight and off he'll go. 
Without notice, a quick flap,
and he disappears into tree tops thither.
A few more hours must pass
before the younger insect can fly off likewise. 
New adventures await filled with raspy love songs
meant to continue the cycle of life.
On this summer day, hollow cast(ket)s left behind
provide a memory of vulnerable forms.
From soft pastel bodies to wide-faced creatures with bulging eyes,
I get to celebrate cemetery cicadas. 

Default: This is a work in progress. I’ve written a bunch of drafts, but it’s not quite there yet, so dear reader, you may see a revision at a later date.

The Secrets of Life Found Among the Dead

Dear Mr. Charles,

In 1882 you passed
from this life to the next,

but it appears
that your story
didn’t end there.

Today was the day
that in your nymph stage,
you chose
to emerge
from your underground burrow
where the sap
of plant roots
had sustained you
for several years.

While I walked about
and noticed
other forms of life
taking place within
the fenced land,

such as Robberflies
canoodling in their
tail-to-tail fashion,

and a Chipmunk
who made me think
the dead were walking
until I saw it
checking on me,

I also spotted
the larval skins
left behind by
many of your kin

who had chosen
a nearby tree trunk
and surrounding ground
for such a transformation.

Their thickened legs
spoke of the digging
your species endures
while in that
subterranean habitat.

You, however,
preferred your stone
for metamorphosis.

Ever so slowly
through a split
along your back,

your body,
pale-colored at first,
extended outward.

Large and chunky
with bulbous,
yet beady eyes,

and long,
thick-veined
and translucent wings,

you looked like
something out
of a sci-fi movie.

Hues of salmon.
pale green.
and aquamarine.

At first
your coloration
reminded me
of a pastel painting,

but over time
it became apparent
that your palette
changed with maturity

and eventually
looked more like
a camouflaged adult
who will spend time
in the nearby tree.

Left behind
was an empty shell
of your former self.

Our time together
came to an end
after periodic checks
over the course
of three hours.
I suspect by now
you’ve flown
to a tree
in search
of a mate.
The resulting eggs
will be laid
on a branch,
and your story
will come
to an end
once again,
Mr. Charles.
But never fear,
for the next generation
will carry on
the circle of life
as the larvae hatch
and fall to the ground,
where they’ll burrow
into the earth beneath
or somewhere very near
your resting place
before resurfacing
as young nymphs
ready as you were
to burst forth from
their exoskeletons
three years from now.

Thank you
for allowing me
to watch
on this day
as you shared
the secrets of
a Cicada’s life
while I wandered
among the dead

.